2010년 5월 23일 일요일

부산 프레타포르테 2010/11 F/W

Colorful garments lead Pret-a-Porter Busan

 

Vivid and witty designs are dominating the runway at Pret-a-Porter Busan, Korea’s second-largest fashion event, which ends its three-day run today at BEXCO.

Gerlan Jeans presents its 2010 F/W collection at Pret-a-Porter Busan on Thursday at BEXCO in Busan. Yonhap News
Gerlan Jeans, an up-and-coming brand among young New Yorkers that was first to showcase its new 2010 F/W collection at the event, offered an interesting combination of washed out denim, various prints and brilliant-colored clothes.

More international brands such as Dress Camp and Ganglion showcased their collections during the last two days, along with collections by local designers including Jo Myung-rae, Lee Young-hee, Gang Dong-jun and Go Tae-yong.

Today, more collections by international brands -- Yangdu, Horace -- and Korean designers Lie Sang-bong, Lee Jong-cheol and Ra Se-young will hit the catwalk.

Under the title “O.P.E.N.,” short for “Opportunity, Public Communication, Expert and Networking,” this year’s event aims to achieve better communication between local and international designers and buyers.

For more information, go to www.papbusan.com.

By Park Min-young   (claire@heraldm.com)

 

일본 디자이너 도쿠진 요시오카 한국 전시

Yoshioka’s designs lighten up their surroundings

 

Some of the brightest furniture you are ever likely to have seen is packed in Museum.Beyond Museum, an exhibition place in Cheongdam-dong, southern Seoul. Surrounding the furniture is a bunch of plastic straws that make the venue even brighter.

These are works by Tokujin Yoshioka, one of Japan’s hottest designers who is currently holding his first solo exhibition “Spectrum” in Korea. He not only exhibits around the world but also has numerous collaborations with companies such as Hermes and Swarovski.

His furniture at the exhibition, however, may seem a bit too overwhelming to plop into. “Waterfall,” a bench made of special glass, reflects light in a broad spectrum. “Honey-pop” is a chair made of glassine paper that can be spread like an accordion so the person sitting on it can adjust it to the most comfortable form. “Venus” is another interesting chair made of crystals produced by chemically processing polyester fiber and special minerals.

Looking through the exhibition, you may find yourself asking if these pieces are furniture or art.

“It is up to the viewers to figure out what it is. I don’t define whether it is a design, a product or art when I make something. I focus on trying to move the viewers’ heart. Although, I do think that the works might not be something you would be using in everyday life,” he told The Korea Herald via e-mail.

“Rainbow Church,” a 50-meter high installation made of 450 prism blocks which he is showcasing in Asia for the first time, on the other hand, can more easily be categorized as art.

“The idea of this architecture project dates back to when I was in my early 20s. I visited the Chapel du Rosaire in France, which Henri Matisse created in his last years. I was engrossed in the beauty of the light that the chapel created. Since then, I have been dreaming of designing architecture where people can feel the light with all senses,” said Yoshioka.

“I like transparent things in general, including light. I am attracted to invisible things like light, smell and wind, and I try to express those elements. Maybe it is because I want to move people’s hearts instead of creating something that has a physical form,” he said.

The exhibition runs through June 30 at Museum.Beyond Museum in Cheongdam-dong, southern Seoul. For more information, call (02) 577-6688 or visit www.beyondmuseum.com

By Park Min-young   (claire@heraldm.com)

 

이중섭 "황소" 경매 최고기록 깰까?

Lee Joong-seop’s ‘Bull’ could beat auction records

 

Seoul Auction announced Monday that Korean artist Lee Joong-seop’s oil painting “Bull” will be sold at its 117th major auction in June.

The bid for the piece will start from between 3.5 billion won ($3.05 million) to 4.5 billion won, and could end up setting a new record in Korean auction history.

“Bull” by Lee Joong-seop Seoul Auction
The highest price record so far is held by Park Soo Keun’s “A Wash Place,” which was sold for 4.52 billion won by Seoul Auction in May 2007. That work was mired in controversy over its authenticity. A court ruled in November 2009 that the auctioned piece was not a counterfeit.

“Lee Joong-seob’s ‘Bull’ will set a record at the auction as it is a monumental piece in Korean modern art history,” said Lee Hak-jun, president of Seoul Auction.

Lee’s paintings that feature bulls are rarely seen in auctions because most are held in museums, including Hongik Museum of Art and Leeum Samsung Museum of Art. This particular piece, 35.3 cm long and 51.3 cm wide, was last seen in public at an exhibition held by Gallery Hyundai in 1972.

“An individual collector, who was an old acquaintance of Lee, exchanged three of Lee’s paintings that he had bought in Midopa Gallery in 1955 with this ‘Bull.’ Lee wanted to give the three paintings to his family as a present, so the collector took home ‘Bull,’ which was Lee’s favorite, instead,” said an official at Seoul Auction.

By Park Min-young   (claire@heraldm.com)

갤러리 시리즈_ 학고재 우찬규 대표

Hakgojae pursues art with Korean roots

 

This is the third in a 10-part series on prominent art galleries in Korea. – Ed

Seeing the graceful Korean style roof and the contrasting modern interior of Hakgojae Gallery in Samcheong-dong, central Seoul, one gets a feeling that there is something special about the gallery.

This hunch is confirmed upon learning the meaning of the word Hakgojae -- studying the old, creating the new.

The gallery started out in 1988 as a gallery exclusively for Korean antique art.

The concept of the gallery came to Woo Chan-kyu, the founder and president of the gallery, naturally, as he had an interest in old Korean art ever since he attended “seodang,” or traditional village schools, instead of going to high school and college.

It was not 17-year-old Woo’s intent to attend seodang but rather the decision was based on financial reasons. Woo, however, soon found the education he received there very attractive and now believes that his seodang days gave him the power and luck that will last for his lifetime.

“Studying Chinese letters was so much fun. I memorized almost every book I learned. And as I came and went out of my teachers’ houses, I got to see many old artworks in their houses and grew interested in them. I learned how to analyze them and identify their authenticity,” said Woo.

Hakgojae Gallery president Woo Chan-kyu poses at the Lim Choong-sub exhibition currently underway. Park Hae-mook/The Korea Herald
His knowledge of Chinese letters and old Korean paintings is well-known in the art field. But his passion for repatriating Korea’s artworks that were taken out of the country is more widely known.

He visits Japan about 10 to 15 times a year, whenever he hears the news that an important Korean antique painting has turned up in the market. He picks them up without hesitation but is very particular when selling them. In fact, he recently surprised the public by refusing to sell some Joseon-period paintings to individual collectors at a recent exhibition.

“The number of our old art is already too small, compared to those of Japan or China. If individual collectors take them, they will only become more and more rare. I wanted public museums to buy them so that more people and scholars could view them,” said Woo.

Hakgojae is not just all about Korean antique artworks. It also holds shows on famous contemporary artists on one condition: Their works should be based on traditional roots.

Woo said that Lim Choong-sub, the Korean artist whose exhibition is underway at the gallery through May 30, is one such artist.

“Lim’s works are very conceptual and contemporary but based on the understanding of Korean traditional culture, like Neo-Confucianism. This kind of artist and this kind of exhibition fits in at Hakgojae,” said Woo.

“The content of the exhibition determines the worth of a gallery. It should exhibit creations that can represent the era. Hakgojae will showcase works by world-famous masters who focus on the mentality and fundamental problems of art. Exhibiting art that simply focuses on amusement is a waste of time.”

With that concept, Hakgojae is expanding.

Woo opened a publishing business under the same name in 1991, as an effort to lift the overall standard of Korean art sector.

“Running a gallery, I recognized the need to raise the standard of gallery owners and collectors, so that we could treat art of high standards. Publishing books seemed to be the first step,” said Woo.

In 2013, the gallery will be moving into a bigger place in Buam-dong, also in Seoul, so it can exhibit larger contemporary artworks. Woo has already secured a site there.

“Professor Choi Wuk, a veteran architect who designed the current Hakgojae Gallery, will be in charge of the design again for the Buam-dong gallery. The basic concept of the new gallery will be same as this one; coexistence of traditions and modern,” said Woo.

For details about Lim Choong-sup’s exhibition or Hakgojae Gallery, call (02) 739-4937 or visit www.hakgojae.com.

By Park Min-young   (claire@heraldm.com)

 

달은 가장 오래된 시계다

Time captured at Deoksugung museum

 

We make a habit of saying that we have no time, although we feel and experience the presence of time through various changes like the seasons and our physical state.

A soap sculpture by Shin Mi-kyung (National Museum of Art)
Inspired by this irony, Kim Nam-in, one of the youngest curators at the National Museum of Art, decided to offer the public an opportunity to take a closer look at the passage of time and so organized the exhibition “Passing Hours: Moon is the Oldest Clock.”

The exhibition is currently underway at the National Museum of Art, Deoksugung, which Kim thought would be the perfect venue to feel time flying by.

“I often find it peculiar that there is this old palace and garden in the middle of Gwanghwamun, one of the busiest places in Seoul. If you looked down from the sky, it would look like a tiny breathing hole,” said Kim.

“I had a chance to look at the original plan for the palace while organizing the exhibition. I was surprised to see the place looked exactly the same, from the walls we can tear down and the walls we can’t. Deoksugung is one of the rarest places in Seoul where we can really see the different layers of time piled up.”

Time-themed paintings, sculptures, video and installation works by 11 Korean contemporary artists, including some of Korea’s best known -- Kang Ik-joong, John Bae and late video artists Park Hyun-ki and Paik Nam-june -- are on display.

This is the first time such contemporary works have been on show inside the Deoksugung museum, which used to exhibit more calm and traditional works.

Categorized into four sections -- “River,” “Water,” “Moon,” “String” -- each of which is a metaphor of flowing time, the modern exhibits fit in beautifully with the Korean traditional palace.

“Storyteller’s Dilemma” by John Bae
(National Museum of Art)
Among the exhibits, Shin Mee-kyoung’s soap sculptures are probably the most time-sensitive. She installed six outdoors and six indoors, which will be left in the hands of nature during the exhibition period.

“Even I don’t know how they will end up. I’m eagerly looking forward to seeing the results, too,” said Shin.

The rest of the exhibits may not dramatically change during the exhibition but are still interestingl.

Kim Ho-deuk hung white sheets of traditional paper above a shallow dish 4 meters wide and 18 meters long filled with black Chinese ink for the “River” section. Under the dim lights, the ink makes shadows on the paper, which waver like the river.

Han Eun-sun displays how water and paint smudge on the canvas as time goes by through her paintings at the next division. She also showcased practise paintings she did before creating the final piece in a small room to show another trace of time.

A room features many paintings Han Eun-sun went through before creating her final version of the “Water Going Up.”
The “Moon” and the “String” section showcases quite old and familiar works like Paik Nam-june and Park Hyun-ki’s video arts or John Bae’s wire sculptures. But seeing them in Deoksugung, under a significant theme, they appear somewhat different.

The exhibition runs through July 4 at National Museum of Art, Deoksugung in central Seoul. Tickets are 5,000 won for adults and 2,500 won for adolescents.

After the Seoul show, the exhibition will also be held in The National Gallery for Foreign Art in Bulgaria and The National Gallery in Prague, Czech, from August through October to commemorate 20th anniversaries of the relationships between those countries and Korea.

For more information, call (02) 2188-6062 or visit www.moca.go.kr

By Park Min-young   (claire@heraldm.com)

간송미술관 봄 전시 리뷰

To resist or to obey: Paintings of colonial period

 

Gansong Art Museum will start its first exhibition of the year on Sunday, to the delight of art fans.

The museum opens its doors to the public only two times a year, once in spring and once in autumn.

The exhibition this spring, “The 100th Anniversary of Joseon’s Ruination,” aims to show how artists reflected the time of despair onto canvas.

 
Painting of butterflies by Lee Gyung-seung Gansong Art Museum
“Considering how paintings are a mirror of a period’s overall cultural capacity, we can see how the frustration of society during the Japanese invasion period is reflected in Joseon paintings from that era. This will also be an opportunity to think about the current situation of Korean contemporary art where artists who continue the traditional methods of painting and those who studied overseas coexist,” said Choi Wan-su, research director at the museum.

Over 100 paintings by 28 artists of the Joseon Period will be on display, from Seo Byung-geon, who was 60-years-old in 1910 when Japan annexed Joseon, and Go Hee-dong, who was 25 at the time.

Some of the artists expressed resistance towards Japan in their work while some turned pro-Japanese and created submissive paintings. Some simply renounced the troublesome world and went on with their lives, painting butterflies.

The exhibition runs from Sunday through May 30. Admission is free. To get to the museum, take the subway to Hanseong University Subway Station, Line 4. For more information, call (02) 762-0442.

By Park Min-young    (claire@heraldm.com)

 

컬쳐리더인스티튜트

Arts envoys to gain more than culture lessons

 

The Culture Leader Institute, which opened last year to incubate cultural leaders in Korea, is launching an Arts Ambassador Academy this month. The institute is an affiliate of Culture Bank, a consulting firm specialized in the culture area.

“The participants will experience what an important role arts and culture play in Korea’s development, and will transmit the knowledge to others. They can make a big change, starting from their surroundings,” said Cheon Ho-seon, director of the institute and also Dean of Korea Venture Craft College. 

The course includes online and offline lectures from high-profile cultural figures, brunch classes, and several visits to concerts and performances.

“We can only educate them, but the participants can profit more, like through networking. The networking process between participants and lecturers is how brilliant ideas for arts can be born in the future,” said Cheon.

Culture Leader Institute director Cheon Ho-seon (Culture Leader Institute)
Cheon, who was nominated as the institute’s director earlier this year, had been with the culture ministry during most of his 35 years as a public servant. He was one of the founding members of the Korean Cultural Service in New York, which held many successful events to promote Korean culture in the U.S.

With his deep interest in the art and culture domain, he was involved in many cultural businesses even after he retired as a government official.

One of them was Ssamzie-Gil, a cultural complex in Insa-dong, central Seoul, which his brother Chun Ho-gyun, the former CEO of Ssamzie, founded in June, 2006.

“When I organized the ‘5000 years of Korean art’ exhibition in New York, the New York Times reported that the identity of Korean culture was in crafts, including Baekja and Cheongja. I ran Ssamzie-Gil, hoping to lift Korean craft to the next level,” he said.

But now he is out of Ssamzie-Gil, as Ssamzie went bankrupt last year. The place is now run by the landlord.

“Yes, I am sorry how it ended. We used to do lots of things for Korean art, like the Ssamzie residency program we had near Hongik University. It was an overwhelming job for a small company like Ssamzie to do in the first place. At least now there are many residency programs that are run by the government,” he said.

In 2007, after he finished his job as the general director of the fourth World Ceramic Biennale, Cheon went and knocked on the doors of the art auction industry through Auction Byul.

Auction Byul aimed to sell high quality artworks but did not go so well and had to be closed within a year. The firm then changed its name to Byul Collection and decided to focus more on collecting artworks by young artists. Cheon stepped down from his position as president but is still participating as one of the stock holders. 

After his many years as a sort of “arts ambassador” in and out of Korea, Cheon felt the need to focus on people.

“Culture was always the second priority in government policies, after economics. But there will be a limit unless culture and economics both guide the country. In order to do that, I felt the need to change people’s mindset,” said Cheon.

“They say Asia will become the world’s center of politics, economics and culture by 2030. This can’t happen overnight. Step by step, we need to raise our cultural level to be at the world’s top. We are going to make it possible.”

The academy will take place at Seoul Arts Center in Seocho-dong, southern Seoul from May 29 to July 10. Registration for the course is open through May 21 at www.cultureleaderinstitute.org

By Park Min-young   (claire@heraldm.com)

홍대미술관 첫 기획전 리뷰

Hongdae show blurs line between art, design

“Hongdae,” short for “Hongik Daehagyo” or “Hongik University,” should not only remind one of an area full of clubs and cafés in Seoul. The university is actually home to Korea’s most renowned art school.

“Girl” by Kwak Nam-sin HOMA
But one should not be embarrassed for not knowing this since the university did not even have a proper art museum until last year. Hongik Museum of Art finally opened in October on the second floor of the university’s Hongmungwan building.

Now the university aims to prove to the public, more systematically, how Hongik graduates are at the top of Korean contemporary art through its first special exhibition “Free Style: A Dialogue Between Art and Design.”

“The border between design and fine art is breaking down worldwide. In Korea, however, people are separating them even more, for example, by holding the Seoul ‘Design’ Capital event. We want to show that the two should be combined through exhibitions,” said Cheong Yeon-sim, assistant professor at the department of Art Studies in Hongik University who organized the exhibition.

Divided into two sections, the exhibition features 28 artists -- all quite well-known in Korea and creating works fit for the show’s theme.

“The artists are all Hongik graduates this time as it is the museum’s first special exhibition. But we will be introducing a wider range of artists in the future, said Cheong.

The first section of the show, called “Sans,” which means “without” in French, showcases works that seem to be somewhat empty.

The simple and chic works like Kwak Nam-sin’s painting “Girl” which appears like a photo of a girl’s shadows or Lee Hun-chung’s blunt ceramic stools reflect how the minimalism of the 1960s and 1970s are reinterpreted in contemporary art.

More colorful and decorative works are found at the next section titled “Accretion.”

They often show repetition of units, colors and other methods of creation. Using prints, Jin Bo-ra shows an assortment of colors of women’s cosmetic products like manicures and powders. Kim Joon painted flashy colors onto the photo of human bodies like tattoos while Kil Hyun used a chemical reaction to grow colorful paint crystals that look like moss.

“Exposed Facade” by Jin Bo-ra HOMA
The show gets more interesting when you take a closer look at the artists’ majors, which are written next to the titles, unlike other exhibitions. Visitors can see that most of the artists took a step further from the traditional domains of their majors.

For example, Cha So-lim, who majored in textile art, sewed white thread on to the canvas, making it appear like a text and Kim Byung-joo, who majored in sculpture, made house models out of steel.

“The quest for individual genres is still valid. We have here many artists of different majors. We wrote down their majors because we want to show how the artists can tackle many genres after studying a single major,” said Cheong.

“This is in fact one of the biggest missions of the university. We hope our students can come and see what kind of works their senior colleagues of what majors are doing.”

The exhibition runs through June 18 at Hongik Museum of Art in Hongik University in Sangsu-dong, central Seoul. Admission is free. For more information, call (02) 320-3272.

By Park Min-young   (claire@heraldm.com)

2010년 5월 10일 월요일

갤러리 시리즈 2_ 갤러리 현대 도형태 대표

‘A good dealer doesn’t collect artworks for himself’

 

Do Hyung-teh, president of Gallery Hyundai, most likely feels a lot of weight on his shoulders.

As the second son of Park Myung-ja, Gallery Hyundai’s founder, Do took the place as president of one of the nation’s most influential art galleries five years ago.

Opened in 1970, Gallery Hyundai is the pioneer of commercial galleries in Korea and has introduced numerous artists to the public. It not only turned the artists into big stars but led Korea’s art gallery boom in the late 1970s, proving that art exhibitions could be major events that gather large crowds. The gallery currently has three exhibition spaces in Seoul, two in Sagan-dong, and one in Sinsa-dong.

Art insiders say it was Park Myung-ja, the gallery’s founder and former president, who made all this possible. Do agreed, pointing out her gifted esthetic sense and credibility.

“Her credibility, especially, is something I could never catch up with. She is like that in her every day life, not just when doing business. I remember seeing her close relationships with the vendors at the market,” said Do.

Park’s credibility and business acumen once again stood out recently when she helped in organizing the gallery’s current exhibition on Park Soo-keun to commemorate the 45th anniversary of his death. It was Park who called every single collector of the late artist’s paintings and borrowed the works.

Thanks to her, the exhibition, which runs through May 30 at one of the gallery’s Sagan-dong spaces, showcases 45 of Park’s paintings, his photos and some of his hand-written letters.

Do still treasures his mother’s advice.

“When she says no, it means no. Although I do rebel now when I have logical reasons,” said Do, chuckling.

Opposite to what many would assume, Do had little interest in art in his youth, even though he was always surrounded by artworks and artists.

Instead, he was more of a trust-fund brat who applied for a leave of absence from Korea’s Foreign Language University and declared he was going to do nothing until his 30th birthday and simply fled to New York.

Without much thought, he majored in art at New York University and happened to fall in love with it. After that, he furthered his studies in Art History at the Pratt Art Institute based on his own willingness to learn.

The first opportunity to showoff the talent needed for what he does now came to him in 1998 at the Basel Art Fair.

Gallery Hyundai had participated in the fair since 1996 but Park Myung-ja had announced they could not that year, due to the soaring exchange rate.

Do, 30 at the time, came forward and tried everything he could, from writing letters to the fair to contacting artists to scraping up his own money to pay for the booth and the transportation.

“I knew nothing about art fairs or running galleries at that time. Some of the experienced buyers at the fair even taught me how to write invoices when they came by our booth. I found everything so amusing,” Do said.

Park, as usual, did not give him many compliments after the fair, but Do had definitely proved himself to be useful, as Gallery Hyundai had marked some actual sales there for the first time.

Since then, he moved into the gallery’s management step by step.

He picked up the essentials from his mother, like the basic rule of not coveting artworks for himself.

“I don’t collect works. We are, in a way, retailers. We need to transmit good works to good collectors. If I keep the works for myself thinking this will be worth money later on, I am a collector not a dealer. There are some dealer/collectors, but I think art dealers should not collect works for themselves,” said Do.

In areas that his mother steered clear from, Do is making some efforts independently.

After receiving criticism that Gallery Hyundai focuses too much on sales and only offered chances to established artists, Do opened the gallery Do Art in 2002, which incubates and introduces emerging artists. He also opened another gallery called 16 Bungee this year under the same goal.

This year, which is the 40th anniversary of Gallery Hyundai, will be a turning point for the gallery, said Do. His biggest goal is to introduce more Korean artists to the world. That is why he suggested publishing Park Soo-keun’s catalogue in English.

“I was embarrassed that I had nothing to bring when I met dealers and buyers overseas. Park Soo-keun is the most beloved painter in Korea. I thought it was time that we made something to better introduce him to the world,” said Do.

“We will be doing a lot of works this year, from exhibitions to art fairs, using our international networks. I can’t say what exactly right now but you will be hearing some good news, soon,” he added.

For more information on the Park Soo-keun retrospective exhibition or on Gallery Hyundai, call (02) 2287-3500 or visit www.galleryhyundai.com.

By Park Min-young (claire@heraldm.com)

 

나물이네에 관한 이야기

Cocooning leads “namooli” to success

 

In 2002, Kim Yong-hwan was single and technically jobless at the age of 32.

He did have a title, a “freelance Web designer and illustrator,” but barely earned 300,000 won ($265) per month. To make things worse, he even became a credit delinquent for card debt.

Kim Yong-hwan, better known as “namooli,” holds up his book on cooking. Courtesy of Kim Yong-hwan
“So I didn’t have much to do but to stay home and occasionally take photos of the food I cooked, using the camera I bought for my illustrating work. I started posting them on my blog and it was fun because people started to leave comments. And before I realized it, I had become more absorbed in posting recipes than earning money,” Kim told The Korea Herald.

Posting recipes, however, led him to money.

People loved his easy-to-follow recipes. Kim’s original measuring system, which he created to help the understanding of those who were not so familiar with cooking terms, was much help.

His nickname, “namooli,” which is a cute way of saying the word “vegetables” in Korean, became familiar among those who live alone. His blog soon became one of Korea’s most popular personal blogs and Kim became a star online and offline, treated like a professional cook.

Of course, his cooking talent was not achieved overnight. He has enjoyed cooking for his friends ever since he started living alone. His friends were his first fans.

“Yes, all my recipes are original. I remember that people didn’t like to reveal their recipes back then. Even if they did, they wanted something big in return. I think my blog started to gain popularity because I opened all my recipes for free, with photos and everything,” Kim said.

After he had posted about a hundred recipes, Kim published his first book titled “Setting the Table with 2,000 won” in 2003 at the request of his fans and publisher.

The book, which targeted those on a tight budget and those who live alone, is still one of the bestsellers in the cookbook sections at bookstores.

Kim has published four more books since then, and all have sold over 1 million copies. There was no doubt he could quit his illustrating jobs and live on royalties, focusing on his blog and publications.

Still single, he is heading for the world with his recipes, though he still sits at home. He recently published a Japanese version of his cookbook and also started posting recipes in English on his blog.

“There have always been requests for translated versions of my books and I am glad it is finally accomplished. I hope to publish more translated versions in the future, in English and Chinese. And I also hope many foreigners will get to know Korean dishes through the English recipes on my blog,” said Kim.

He did not forget to send a message to all those who live alone.

“In order to do anything, being healthy is of primary importance. Eat well and exercise regularly,” he said.

To see Kim’s recipes, visit www.namool.com

By Park Min-young   (claire@heraldm.com)

나홀로족에 관한 이야기

For youth, no shame in going solo

 

Despite the pouring rain, The 1st Penguin, a café located in Anam-dong near Korea University, is packed with customers on a Tuesday afternoon.

Most of them, who appear to be college students, are sitting alone. In addition to the word “Achievement” painted in big black letters and underlined twice in bold red, print-outs and memos of wise sayings and columns are posted all over the walls on every side.

A man enjoys ramen alone at Ichimen, a ramen house in Sinchon. Park Hae-mook/ The Korea Herald
Instead of small tables and chairs for two or four that are usually found in cafés, most of the furniture found at The 1st Penguin is for one person; from desks for one with wooden boxes on the side to place a bag and books to desk lamps.

“Please keep discussions quiet so you will not disturb others’ concentrations,” is another phrase written on the wall. The place looks like a café, with soft music, great interior design and serving a variety of drinks, but at the same time, functions like a library.

“The point of the interior design was to create an ambience where each customer could concentrate on his work. Because most of them use electric devices like laptops, we even prepared separate outlets for each seat,” said Kim Jun-yong, CEO of the café.

Being alone, especially eating alone, amounted to putting up a sign that says you are “wangdda,” or an outcast, in Korea. Women of all ages, especially, used to do everything with at least one friend, from eating in public and shopping to going to the bathroom.

The concept, however, seems to be changing. More men and women are going solo in public areas such as universities, restaurants and theaters. They “choose” to be alone, they say.

In a recent survey of 528 university students by Incruite, an online job search website, 34.5 percent of the respondents considered themselves as outsiders at school.

Among them, 87.4 percent answered that they voluntarily became outsiders for different reasons -- for example, not wanting to participate in unnecessary school events to concentrate more on studying or because they spend more time with friends outside of school. Only 12.6 percent said that they chose to withdraw from groups because they were not sociable enough.

Naturally, people’s attitude toward outsiders is also growing more positive. Some 66.7 percent of the respondents said that it is simply a different style of living while only 33.3 percent answered that they are people who lack sociability.

Eating alone

Kim Tae-hwan, a 25-year-old university student, prefers eating solo on campus. It has been so ever since he returned to school from his two-year military service.

“Sure, I have friends at school but I don’t have much time to spare now that I have put myself out on the job market. I choose to eat quickly, alone, and get other things done rather than to spend much time over lunch,” he said.

Recognizing students’ changing attitudes, a restaurant in the second basement of the Engineering Department building in Yonsei University recently installed partitions on its tables. Such partitioned tables are a more familiar sight in Women’s universities.

Restaurants outside the campus are not missing out on the trend either. One by one, they have started to offer private seats for students and office workers who come alone for a quick lunch.

Ichimen, a ramen house which opened in Sinchon, central Seoul, two years ago, is one of them.

As you walk into the restaurant, the first thing that greets you is not a waiter but an explanation board in three languages -- Korean, English and Japanese.

Simply follow what it tells you to do and you will get to enjoy your ramen without having a single conversation with anyone or seeing anyone’s face.

First, make your choice between two meals -- a ramen or a "katsudon", a type of fried steak with rice -- at the vending machine. Pay what you owe and you will get a meal ticket in return.

Check another board for empty seats -- the one with the light on is vacant --, and sit down. The seats have partitions on the sides and a red curtain in front. There are also napkins and hangers prepared behind each seat.

As soon as you press the bell on the table, the waiter/cook will silently approach from behind the curtain and hold out a hand to take your meal ticket and menu selection paper -- those who opt for ramen need to mark how spicy you want your noodle dish to be -- and give you a cup for water. No need to ring the bell again to ask for more water because there is a small faucet installed at every seat.

All you need to do now is listen to music, daydream and wait for your meal. In less than 5 minutes, your food will be served, again, by the silent hands of a waiter. When finished, just leave your tray and leave.

The ramen house is quite famous among those who seek private places to eat although it is quite a small place tucked away behind the Hyundai Department Store.

“The promotion was done naturally among young Internet users through blogs and homepages. The sales jumped 150 percent within two years of opening. We are planning to open more stores,” said An Su-kyung, public relations officer at Ichimen.

Customers at The 1st Penguin, a cafe in Anam-dong, concentrate on their studies. Chung Hee-cho/ The Korea Herald
Playing alone

It is not hard to find people sitting alone in cafés, reading books or typing into their laptops anymore. Started in the big coffee chains like Starbucks and Coffee Bean, this trend can now be seen even in smaller cafés.

Many of the cozy little cafés clustered in Samcheong-dong, Sinsa-dong or the Hongik University area are book cafés where one can order a drink and sit around reading books all day long without feeling guilty. Most even have tables for one.

Library for chatting, a café near Hongik University, has a small seat for one in the attic which is so popular that it is almost never vacant. It has a cute sign below it that says “No couples allowed.”

The 1st Penguin decided to take a different approach. Opened last March in Anam-dong, it claims to be a “self-managing café.”

“My friend -- Choi Jae-young, the other CEO -- and I were ordinary office workers at fairly big companies but decided to start our own business. While seeking a concept, we heard how more people were visiting places alone and how the marketing that target such customers are becoming important in Japan. We thought this was it. We visited many cafés like Starbucks and figured it would be even better if we could provide an environment where our customers can really concentrate on their work,” said Kim Jun-yong, CEO of the café.

Wouldn’t a café suffer financially if all of its customers just ordered a single drink and stayed cooped up all day long?

“It is true that low turnover rate means low profit. But not everything can be perfect. In our case, we have regulars instead. Our customers are so satisfied with the place that they almost always visit again,” he said.

Cozy at her usual corner, Jessica Gosling, a British exchange student at Korea University, said she visits the café up to three times a week.

“I arrived in Korea last summer and this café was one of the things that struck me about Korean culture. There is something different about this café. It has a very welcoming ambience and you can actually study, talk, read and do whatever you want here,” said Gosling.

To really help its customers’ “self-management,” the café provides various projects such as “The A+ Challenge.”

At the beginning of every semester, students can submit their name and the title of one of their major courses to the café. If they get an A+ in that course after the final exam, they get a free drink. Over 150 students applied for the project this semester.

A similar project continues during school break. One can announce one big goal to achieve during the vacation and prove how they achieved it. It could be anything -- from passing a certain exam to dating the gorgeous girl next door. The person who best achieves the goal wins.

Last summer, the winner was a guy who set out to write a journal in English every day. He visited the café on the last day with a packet full of hand-written and typed journals and took home an iPod.

“Now, cafés that have nothing but cool interior designs to show off cannot last long. It gets boring too quickly. You need work on the specific contents. Ours is self-management. We also hold lectures to hear success stories from regular people around us and also provide mentoring services,” said Kim.

Those who really enjoy flying solo go further than just visiting such cafés.

Jo So-ri, a 24-year-old office worker often goes to the movies alone.

“I don’t have to fix a time with anyone and I can choose whatever movie I want,” said Jo.

The reservation rate for a single ticket is steadily increasing at CGV. It was 20.3 percent in the second quarter of 2008 but rose to 24 percent last year.

“The number of people who come to see movies alone has greatly increased. Our employees really sense the changes at the ticket booth,” said Lee Sang-kyu, CGV’s public relations officer.

The situation is similar for musicals and plays. According to Interpark, an online ticket seller, single tickets for various performances stood at about 96,000 in 2006 but increased to 141,000 in 2007 and 214,000 in 2008.

Performance organizers are now offering events and promotion packages aimed at attracting solo customers. Some designate "solo seats" and sell the tickets for half the normal price.

Living alone

As a 28-year-old man living alone, Jang Jae-hyuk’s biggest concern is laundry and leftover food.

“I know how to wash and iron my shirts. In fact, all Korean men who have served in the military would, but I don’t have the time to do it. Nor do I want to. And I usually eat out because if I buy food in advance, half of it goes bad even before I get a chance to eat it,” said Jang.

Single men like Jang would be delighted to hear that more and more self-service Laundromats are opening in Korea. Though the system is already common in the United States, it is only recently gaining popularity here.

Coinwash 24, one of the biggest self-service laundry chains in Korea, is quickly establishing more branches throughout the country thanks to the increase of one-person households. According to Statistics Korea, one-fifth of the households in Korea are one-person households.

“One can finish everything from washing to drying the clothes within one hour, so it is very convenient. It is usually young people who live alone who use the system,” said Yu Dong-geun, sales director of Coinwash 24.

Single women frequently use personal errand services like the one provided by Life Manager. The company does practically everything for you from washing dishes and doing grocery shopping to running private errands.

And for leftover food concerns, some smart food companies and retailers came up with the idea of ‘mini marketing,’ in which everything comes in smaller packages. Shoppers can now easily find such goods in most big retailers in the country including E-mart, Lotte Shopping and Home Plus.

Vegetables are cut and packaged into smaller sizes, sausages, side dishes and sauces are packed to fit one person’s single meal and even soju comes in small bottles.

“Many retailers are offering products made to fit the lifestyles of those who live alone. The sales of the products are quickly increasing too, compared to other products. We are planning to present more sorts of such products,” said Kim Geun-man of E-mart.

Home meal replacement products such as instant lasagna or galbitang, or beef rib soup, are another good choice.

Many who eat solo at home must agree, because the sales of such products increased 60 percent this year, according to E-mart.

If none of these sound appealing, one can always rely on delivery food.

It was common practice until a few years ago that at least two dishes must be ordered in order to get something delivered. But now, more restaurants are willing to deliver single dishes.

One example is Panda Kitchen, a Chinese restaurant in Sangsu-dong.

It delivers small servings of usually large dishes like tangsuyuk, or sweet-sour pork, palbochae, or fried pork with vegetables, and yangjangpi, or assorted seafood and vegetables. The food is delivered in clean paper bowls, not in big plastic dishes that are normally used by Chinese restaurants.

McDonalds also recently started a home delivery service which is open to single set orders and Pizza Hut delivers mini-size pizzas as well.

By Park Min-young   (claire@heraldm.com)

 

2010년 5월 7일 금요일

잭 피어슨 전시 리뷰

Pierson speaks through thrown-out letters

 

Jack Pierson is a versatile artist who freely explores almost all genres of art from sculpture to photography to video works.

In the U.S., he is best noted as a fashion and celebrity photographer who worked with Naomi Campbell, Snoop Dogg and Brad Pitt. He was recently in charge of the catalogue shootings for six Korean designers’ collections at “Concept Korea -- Fashion Collective 2010” which took place in New York in February.

But he is happy to expand his territories, for example, to curating. He curated a much-talked show in Paul Kasmin Gallery in New York last summer. The exhibition, “The Name of This Show Is Not: Gay Art Now,” included works mainly by artists who identify themselves as gay.

Now the U.S. artist aims to showcase another side of him in Seoul, through his first solo exhibition here titled “Jack Pierson: Night.” It displays the artist’s latest word sculpture series.

“Heartbreak Hotel” by Jack Pierson installed on a Kukje Gallery wall. Kukje Gallery
Words and phrases are spotted on every wall of Kukje Gallery. They are compositions by Pierson, who picked up letters that were thrown out from Las Vegas casinos, old movie marquees and other exhausted businesses and reassembled them.

“From 1984 to 1990 my studio in New York was on the 42nd street, which was a rundown street that represented the old New York. At that time the street was becoming renewed so a lot of letters there were being thrown out and I had access to them,” Pierson told the press on Tuesday.

He collected letters not just from the 42nd street but from all over the country driving his pick-up truck. It was like a pursuit of the faded glamour and stardom in the U.S. He went to every famous rock ‘n’ roll place, including the Flame Show Bar in Detroit, which he reminisced as his favorite place.

The letters which once represented the American dreams of fame and fortune in the form of dazzling sign boards now reflect disillusionment and the artist’s nostalgic sentiments.

“You look at them (the words and phrases) and you can understand them immediately. But within that fast read, I want you to look into the individual letters to get to know each of their story,” said Pierson.

Take “Old Hollywood Movies” for example. He collected the letters from different places, including actual movie marquees.

“When I was young, I wanted to be the person who designed movie credits. The piece is a nod to that. And also, it reflects what Americans say -- you know, people just know what it means when you say ‘It’s like old Hollywood movies,’” said Pierson.

The work “Pola Negri” is his personal favorite.

“Back when Hollywood movies were silent, Pola Negri was a big star like Elvis Presley. I like the piece because I think the shape of every letter in it perfectly matches her personality,” said Pierson.

Will he ever run out of materials?

“Oh, you should see, I have a room this big filled with letters,” Pierson said with a laugh, holding his arms out in the exhibition room.

“And now is a good time to get these things because everything is becoming digital.”

The exhibition runs through June 6 at Kukje Gallery in Sogyuk-dong, central Seoul. For more information, call (02) 735-8449 or visit www.kukjegallery.com

By Park Min-young   (claire@heraldm.com)

2010년 5월 3일 월요일

갤러리 시리즈 1_ 오페라갤러리 권기찬 대표

’Opera Gallery doesn’t only deal in expensive works’

 

As one passes by the Cheongdam intersection in southern Seoul, it is hard not to notice the glass windowed shop on the first floor of the Nature Poem building, where colorful artwork seems to be peering out the window.

Kwon Gee-chan, chairman of Opera Gallery Seoul, poses in front of “All you need is Love, Love, Love, Diamond Dust” by Damien Hirst Lee Sang-sub/ The Korea Herald
It is Opera Gallery Seoul, the Seoul branch of the world’s leading gallery chain which first opened in Singapore in 1994. Opera Gallery has 11 branches all over the world, including its head office in Paris, and holds a wide collection of art by masters including Chagall, Renoir and Picasso, as well as contemporary artists such as Romero Britto and Keith Haring.

Kwon Gee-chan, chief executive of Wearfun International, opened the Seoul branch -- which became city’s first chain gallery -- in October 2007. Not only was Kwon already a well-known figure in the fashion industry as one of the first importers of high-end fashion products to Korea, but he was also an avid collector of art.

“I had already been collecting artworks for about 20 years back then. I had over 300 pieces. Every time I went on a business trip to Europe, five or six times a year, I looked around different art museums and galleries. And Opera Gallery, which happened to have the works that were exactly my taste, was always my must-visit spot,” Kwon told The Korea Herald.

So his first encounter with Gilles Dyan, the founder and chairman of Opera Gallery International, was as a collector and an art dealer.

“I admired the way he ran the galleries. I attentively watched when he opened a branch in Hong Kong, thinking I would bring it to Seoul if it succeeds. And about three years ago when the Korean art market expanded explosively, I grabbed my chance,” said Kwon.

Colorful, fun and optimistic artwork makes him relax and feel better, Kwon said. He even owns a personal gallery in the basement of his corporate building in Samseong-dong, where he goes down when he is stressed out or has to make some crucial decisions.

“I wanted to share the same kind of pleasure with Seoul citizens by offering them a chance to see the masterpieces of Chagall and Picasso right here in Korea. Everyone is free to come in or peer through the glass windows while driving past the building,” Kwon said.

Opera Gallery has a reputation for holding exhibitions of high profile international artists. As the largest shareholder of the gallery’s Seoul branch with a 51 percent stake, the head office takes the initiative in organizing exhibitions although discussions are actively held with Kwon, who holds 49 percent of the stake.

At the moment, Damien Hirst’s solo exhibition is underway at Opera Gallery Seoul. About 30 pieces, including a lithograph of a diamond-studded skull with real human teeth “For the Love of God, Believe,” is on display through May 15.

“It is a pity that we could not bring some of the much-talked about Hirst pieces. Still, this is another opportunity to see works by a world-class artist at our home,” said Kwon.

As much as the gallery is famous for exhibitions of celebrated artists, however, it is infamous among the Korean public for neglecting Korean artists.

“We did avoid holding Korean artists’ exhibitions because we did not want to be seen as being in rivalry with some 200 galleries in Korea. Holding exhibitions of veteran Korean artists would immediately mean competition,” said Kwon.

“Instead, we are trying to hold exhibitions for the artists we discovered, not just in Seoul but also in other parts of the world through the gallery’s branches. Introducing the works of Korean artists to the world is in fact the most important goal of Opera Gallery Seoul.”

In that sense, the Seoul branch has been quite successful so far. Korean artist Yim Tae-kyu’s show opened at Opera Gallery London last week and Kwon Ki-soo and Lee Dong-uk will hold exhibitions at the Paris branch in July and December, respectively.

Kwon mentioned another “prejudice” about Opera Gallery Seoul; that the works are way too expensive compared to other galleries in Korea.

“We do have expensive works but we also have works that are marked below 1 million won ($895,000). Moreover, the works are available for collectors at the same price at all Opera Gallery branches,” Kwon explained.

The gallery is trying different approaches to lose its snobbish image. Lending its works to public spaces is one.

“It will be the third anniversary of Opera Gallery Seoul in October. It has not been discussed with the Seoul Metropolitan Government, but I have plans to exhibit some 50 sculptures by Dali at the Seoul Plaza in front of the City Hall,” he added.

For more information on the Damien Hirst exhibition or on Opera Gallery, visit www.operagallery.com

By Park Min-young  (claire@heraldm.com)

주얼리페어

Gems from around the world allure women

 

Not many women can resist sparkling jewelry. And it gets harder to resist when there is an exhibition hall full of them.

Hundreds and thousands of dazzling gems are stealing the hearts of many at the country’s biggest jewelry fair running at COEX in Samseong-dong, southern Seoul.

About 300 jewelry companies from around the world are showcasing their latest products at “Korea International Jewelry & Watch Fair 2010.”

Organized by Korea International Trade Association, the eighth jewelry fair is expecting some 30,000 visitors and buyers. Last year, about 25,000 people visited the fair to see the products by 282 participating companies.

Participating companies include Princess and Gembros from Korea, Manuelli Gioielli Firenze from Italy, Blumer from Germany and Teng Huat from Singapore.

This year’s show sees a significant trend toward bolder jewelry and designs with 3-D effects.

“Flower or butterfly designs used to be popular before, but this year we see more dynamic designs that feature seahorses, corals and even polar bears. Yellow gold seems to be back in town, as it perfectly matches animal print garments which many fashion designers showcased this season,” said the organizers.

“In the case of diamonds, the trend is to have it set on a black gold plated ring so that the diamonds will stand out even more due to the black and white contrast,” they added.

Visitors can also find the prizewinning works of this year’s International Jewelry Design Contest, the theme of which was "The Moments to Cherish," and 100 rough gemstones from Iksan Jewelry Museum at the fair.

“Korea International Jewelry & Watch Fair 2010” runs until tomorrow at the Atlantic Hall and Conventional Hall at COEX in Samseong-dong, southern Seoul. Admission is 10,000 won. No admittance to those under 15 years of age.

For more information, call (02) 6000-5549 or visit www.jewelfair.com

By Park Min-young   (claire@heraldm.com)

 

베르트랑 라비에 전시 @ 아틀리에 에르메스

Lavier layers up old masters at Atelier Hermes

 

A couch that resembles Marilyn Monroe’s plump red lips sits on top of a Bosch fridge. Nearby, an old gray fan is placed on top of a black safe deposit box.
These strange combinations of familiar objects, which one can view inside the Hermes building in Sinsa-dong, are actually artwork by Bertrand Lavier, one of France’s greatest contemporary artists.

“The idea came from my wondering about the question, ‘What is sculpture?’ It usually means a thing on a pedestal. I thought, ‘What most represents a pedestal?’ and came up with fridge, which is heavy, square and white. And I put on top of it something that represents a sculpture. So the work means two things; one, a sculpture on a pedestal and two, a sculpture itself,” the 60-year-old artist told the press on Wednesday.

His unique style of work was born 30 years ago when Lavier put a Brandt fridge on top of a Fichet Bauche safe. The much-talked-about work, titled “Brandt/Fichet Bauche,” knocked off the boundary between readymade art represented by Marcel Duchamp’s “Fountain” and traditional sculptures.

At the current exhibition “Phantoms,” Lavier’s first solo show in Korea, visitors can see Lavier’s creative combinations of art masters’ work as well as peculiar object combinations.

Lavier mixes and matches art and signatures by old masters like Pablo Picasso, Frank Stella and Salvador Dali with works by unknown artists and added his own unique touches to them.

Take the work “IKEA” for example. Lavier bought a tablecloth from IKEA, which seemed to have been inspired from Mondrian’s works, and painted his own interpretation of Mondrian’s painting on top of it. “The work is by three people; Mondrian, the IKEA designer and me,” said Lavier.

In the case of “Picasso Ultra Marine,” the three creators of the work would be Yves Klein, Picasso and Lavier.

Carmaker Citroen had bought the copyright for Picasso’s signature in the 1990s and launched the “Citroen Picasso” line. Lavier bought the car, ripped off the part that had Picasso’s signature and painted it blue, which was almost exactly like artist Yves Klein’s signature blue color known as IKB.

It is Lavier’s way of taking the role of a mediator to connect different artists.

“I like to create works that have multiple levels. On the first level, each work can be appreciated as itself even if you don’t know Picasso, Stella or Mondrian. But it is better if you do, because on the second step, you can see the phantom of the artists if you recognize them,” he said.

Did the original artists take offense? Frank Stella, among the few who is still alive, said he did not.

“I once met Frank Stella, and he said ‘I like it very much, it is perhaps better than the original!’ I would be very happy if some other artists used my work, too,” Lavier said, laughing.

The special thing about Lavier’s works is that it is impossible to make different editions. He can pick out one primitive African sculpture among millions, add his touches and turn it into a one-of-a-kind.

“I am a very occidental artist and sculptor like Rodin or Giacometti. Through me, the African sculpture by an unknown artist becomes an occidental sculpture produced by a ‘not unknown’ artist,” said Lavier.

And the good part is that his final touches are always optimistic.

“In Paris, many artists do depressed work these days. I don’t want to do heavy, depressed art. Mine are funny, a little bit, and some could start deep thoughts on the layers and the artists, but the works are light and rather optimistic. I think we can build something better for tomorrow. We can play with what we are today,” he said.

The exhibition runs through June 10 at Atelier Hermes in Sinsa-dong, southern Seoul. It is located on the third floor of Maison Hermes Dosan Park. For more information, call (02) 544-7722.  

By Park Min-young   (claire@heraldm.com)

로댕 회고전

Rodin’s masterpieces in Seoul

 

A major retrospective exhibition of Auguste Rodin, sculptor of “The Thinker,” kicks off today in Seoul.

Original masterpieces by the French master, such as “The Hand of God,” “The Kiss” and, of course, “The Thinker” will be shown outside France for the first time.

The exhibition displays 180 pieces including 113 sculptures in bronze, marble and plaster, 42 drawings and 25 photographs. They are on loan from The Musee Rodin in Paris, France.

“Rodin successfully converted lifeless materials into sculptures imbued with delicate human feelings such as passion, agony, love and hatred. With his dynamic sculptures, Rodin is still extolled as a pathfinder and precursor of modern sculpture,“ said Seo Sun-ju, director of the exhibition.

Divided into nine sections -- The Age of Bronze, The Gates of Hell, The Burghers of Calais, The Figures of Eros, Rodin in His Studio, Dance: Body in Movement, Camille Claudel, Rodin in 1900, Pavillion d’Alma and The Monuments -- the exhibition explores Rodin’s life, love and passion for art.

The exhibition runs through Aug. 22 at Seoul Museum of Art in Seosomun-dong, central Seoul. Tickets are 12,000 won for adults, 10,000 won for youths and 8,000 won for children. It is closed on Monday. For more information, visit www.rodinseoul.com.

By Park Min-young   (claire@heraldm.com)

 

서울포토페어2010

Korea’s biggest photo fair opening at COEX

 

Among the overflowing art fairs taking place this spring, a photos-only fair starts its five-day run tomorrow in Seoul.

Starting in 2008 and organized by PHOTONET, Korea’s photography magazine, “Seoul Photo 2010” is the first and biggest photography fair in Asia.

More than 1,200 photos by 220 international and local photographers will be showcased at the fair.

“Photographs are quickly rising in the world’s art market but the prices are undervalued by and large compared to other genres such as paintings and sculptures. That’s why it can be an attractive target for novice collectors or salaried people. Photos are a perfect fit for Korea’s modern apartments or buildings. This fair, which is packed with over 1,000 photos, will be a great opportunity to check them out,” said Choi Jae-gyun, editor-in-chief and publisher of PHOTONET.

“The Galleries” section displays works by photographers from 22 well known galleries throughout the world. Participating galleries include Arario Gallery, Kukje Gallery and Gallery Jinsun from Korea, Emon Photo Gallery from Japan and Galeria Saro Leon from Spain. Works by most of Korea’s acclaimed photographers such as Bae Bien-u and Kim Dae-su can be spotted in this section.

The “PHOTONET Review” section features works by 40 Korean photographers selected by the magazine while the “Raw Vision” section showcases photographs taken by some high-profile figures such as Hanjin Group chairman Cho Yang-ho and Gangwon Province governor Kim Jin-seon.

Many Japanese photographers are participating at the fair as well through the “Beyond the Award” section. The highlight is Morimura Yasumasa, a famed Japanese photographer whose works will be displayed at the “Invitation Artist” section. Morimura is considered the first photographer to have successfully reinterpreted post-modern photography in an Asian style.

Other must-see works are those by Spanish photographers. To celebrate the 60th anniversary of Korean-Spanish diplomatic relations, Spain is chosen as this year’s guest of honor nation.

Alejandro Castellote, a famed curator from Spain who founded and served as the artistic director of the authoritative International Photography Festival PhotoEspana in Madrid from 1998-2000, selected some 100 innovative pieces by 10 Spanish photographers, including Chema Madoz, David Jimenez and Juan Manuel Castro Prieto.

The fair runs from April 29-May 3 at the Indian Ocean hall in COEX, in Samseong-dong, southern Seoul. Admission is 8,000 won. For more information, call (02) 736-1214 or visit www.seoulphotofair.com

By Park Min-young   (claire@heraldm.com)

Arumjigi holds first fund-rising bazaar

The Cultural Keepers Foundation will open its first bazaar tomorrow to raise funds for research and development of Korean traditional culture.

The foundation, also known as Arumjigi, is a non-profit organization established in 2001 that carries out a variety of projects to help preserve the nation’s cultural heritage. It recently held exhibitions to promote traditional culture and helped clean and beautify traditional villages and cultural heritage sites.

The bazaar will be packed with beauty and lifestyle products donated by companies and individual supporters. Participating companies include international fashion houses such as Louis Vuitton, Gucci, Hermes, Max Mara, Marc Jacobs, Ferragamo, Tods and Prada, jewelry brands like De Beers, cosmetic brands like Guerlain, Lancome, Biotherm, porcelain brands like Hankook Chinaware and some liquor brands.

Mugs designed by artists such as Jeong Jae-hyo, Lee Eun-beom, Lee Chang-hwa, Han Jeong-yong and Heo Sang-wook will be on sale and seasonal regional food will be served at the bazaar as well.

The proceeds from the event will be used for the “Yi Sang Project” which aims to transform Korean poet Yi Sang’s house into a cultural space and also for creating a “Korean Cultural Room” at Pittsburg State University in the United States.

The bazaar will run from 11 a.m. to 4 p.m. at JNB Gallery in Horim Museum in Sinsa-dong, Seoul. Admission is 10,000 won. For details, call (02) 741-8375 or visit www.arumjigi.org

By Park Min-young  (claire@heraldm.com)