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Nam June Paik Art Center showcases new collections

 

In less than two years since its establishment, the Nam June Paik Art Center has become a must-visit spot for video art fans.

The center greatly expanded its collection last year by purchasing about 320 of Paik's works, photos and keepsakes from different collectors.

Among them, notable works are "Hommage a John Cage" and "1.portable Television" from German collector Eric Andersch, "Zen for Head" from Mary Bauermeister and installation "Video Chandelier No. 1" from a German TV station.

Other than the new collections, the center has more than 2,000 of the late artist's videotapes, more than 110 of his paintings and drawings, and about 100 pieces of his keepsakes.

Visitors can now see the new collections at the center's first floor where most of them are on display, just in time for the special exhibition "Random Access" currently underway on the second floor.

The show's title was named after one of Paik's works from his first solo exhibition "Exposition of Music Electronic Television" held in 1963.

The original "Random Access" piece was a musical work which viewers could participate in by scratching cassette tapes hung on the wall with electronic heads to make them play the music.

"'Random Access' is a theme Paik addressed frequently throughout his practice. Of the many works Paik presented that were innovative, it was the most direct presentation of his ambition for a paradigm shift. Motivated by the concept, this exhibition aims to find contemporary interpretations of Paik's works and help visitors discover new creative energy through the exhibits," said Lee Young-cheol, director of the Nam June Paik Art Center.

So the center's curatorial team randomly picked out six of Paik's works and produced an exhibition around each of them with works by 20 young local and international artists that seemed to have a connection with Paik's works.

For example, one of the works related to Paik's "Prepared Piano," in which the artist reformed a piano with all sorts of junk and had a pianist play it, is Kim Hee-seon's work "Non-self Situation."

In Kim's room, viewers can see a video of musicians playing cellos on a large screen. Interestingly, the more people enter the room, the louder and faster the music goes as more musicians participate as well. It works by a special sensor.

Yuri Suzuki's "Sound Chaser" is also related to Paik's piano work. The artist cut records, connected them to be like a railroad and had a small cart with a needle pointing out to run on it. The needle plays music in the cut-off records, which comes out like random squeaks.

Paik's exhibits are sensational as always but at this exhibition, visitors might find some of the young artists' works even more shocking.

Tip: the elderly, children, and pregnant women are strongly counseled not to enter the room marked with a red "19." The room is packed with graphic photos of terrorism victims.

The exhibition runs through May 9 at Nam June Paik Art Center in Sanggal-dong, Yongin city in Gyeonggi Province. It takes about 30 minutes from Gangnam Station by bus. Admission is free. For more information, call (031) 201-8571 or visit www.njpartcenter.kr

(claire@heraldm.com)

By Park Min-young