2010년 5월 7일 금요일

잭 피어슨 전시 리뷰

Pierson speaks through thrown-out letters

 

Jack Pierson is a versatile artist who freely explores almost all genres of art from sculpture to photography to video works.

In the U.S., he is best noted as a fashion and celebrity photographer who worked with Naomi Campbell, Snoop Dogg and Brad Pitt. He was recently in charge of the catalogue shootings for six Korean designers’ collections at “Concept Korea -- Fashion Collective 2010” which took place in New York in February.

But he is happy to expand his territories, for example, to curating. He curated a much-talked show in Paul Kasmin Gallery in New York last summer. The exhibition, “The Name of This Show Is Not: Gay Art Now,” included works mainly by artists who identify themselves as gay.

Now the U.S. artist aims to showcase another side of him in Seoul, through his first solo exhibition here titled “Jack Pierson: Night.” It displays the artist’s latest word sculpture series.

“Heartbreak Hotel” by Jack Pierson installed on a Kukje Gallery wall. Kukje Gallery
Words and phrases are spotted on every wall of Kukje Gallery. They are compositions by Pierson, who picked up letters that were thrown out from Las Vegas casinos, old movie marquees and other exhausted businesses and reassembled them.

“From 1984 to 1990 my studio in New York was on the 42nd street, which was a rundown street that represented the old New York. At that time the street was becoming renewed so a lot of letters there were being thrown out and I had access to them,” Pierson told the press on Tuesday.

He collected letters not just from the 42nd street but from all over the country driving his pick-up truck. It was like a pursuit of the faded glamour and stardom in the U.S. He went to every famous rock ‘n’ roll place, including the Flame Show Bar in Detroit, which he reminisced as his favorite place.

The letters which once represented the American dreams of fame and fortune in the form of dazzling sign boards now reflect disillusionment and the artist’s nostalgic sentiments.

“You look at them (the words and phrases) and you can understand them immediately. But within that fast read, I want you to look into the individual letters to get to know each of their story,” said Pierson.

Take “Old Hollywood Movies” for example. He collected the letters from different places, including actual movie marquees.

“When I was young, I wanted to be the person who designed movie credits. The piece is a nod to that. And also, it reflects what Americans say -- you know, people just know what it means when you say ‘It’s like old Hollywood movies,’” said Pierson.

The work “Pola Negri” is his personal favorite.

“Back when Hollywood movies were silent, Pola Negri was a big star like Elvis Presley. I like the piece because I think the shape of every letter in it perfectly matches her personality,” said Pierson.

Will he ever run out of materials?

“Oh, you should see, I have a room this big filled with letters,” Pierson said with a laugh, holding his arms out in the exhibition room.

“And now is a good time to get these things because everything is becoming digital.”

The exhibition runs through June 6 at Kukje Gallery in Sogyuk-dong, central Seoul. For more information, call (02) 735-8449 or visit www.kukjegallery.com

By Park Min-young   (claire@heraldm.com)

2010년 5월 3일 월요일

갤러리 시리즈 1_ 오페라갤러리 권기찬 대표

’Opera Gallery doesn’t only deal in expensive works’

 

As one passes by the Cheongdam intersection in southern Seoul, it is hard not to notice the glass windowed shop on the first floor of the Nature Poem building, where colorful artwork seems to be peering out the window.

Kwon Gee-chan, chairman of Opera Gallery Seoul, poses in front of “All you need is Love, Love, Love, Diamond Dust” by Damien Hirst Lee Sang-sub/ The Korea Herald
It is Opera Gallery Seoul, the Seoul branch of the world’s leading gallery chain which first opened in Singapore in 1994. Opera Gallery has 11 branches all over the world, including its head office in Paris, and holds a wide collection of art by masters including Chagall, Renoir and Picasso, as well as contemporary artists such as Romero Britto and Keith Haring.

Kwon Gee-chan, chief executive of Wearfun International, opened the Seoul branch -- which became city’s first chain gallery -- in October 2007. Not only was Kwon already a well-known figure in the fashion industry as one of the first importers of high-end fashion products to Korea, but he was also an avid collector of art.

“I had already been collecting artworks for about 20 years back then. I had over 300 pieces. Every time I went on a business trip to Europe, five or six times a year, I looked around different art museums and galleries. And Opera Gallery, which happened to have the works that were exactly my taste, was always my must-visit spot,” Kwon told The Korea Herald.

So his first encounter with Gilles Dyan, the founder and chairman of Opera Gallery International, was as a collector and an art dealer.

“I admired the way he ran the galleries. I attentively watched when he opened a branch in Hong Kong, thinking I would bring it to Seoul if it succeeds. And about three years ago when the Korean art market expanded explosively, I grabbed my chance,” said Kwon.

Colorful, fun and optimistic artwork makes him relax and feel better, Kwon said. He even owns a personal gallery in the basement of his corporate building in Samseong-dong, where he goes down when he is stressed out or has to make some crucial decisions.

“I wanted to share the same kind of pleasure with Seoul citizens by offering them a chance to see the masterpieces of Chagall and Picasso right here in Korea. Everyone is free to come in or peer through the glass windows while driving past the building,” Kwon said.

Opera Gallery has a reputation for holding exhibitions of high profile international artists. As the largest shareholder of the gallery’s Seoul branch with a 51 percent stake, the head office takes the initiative in organizing exhibitions although discussions are actively held with Kwon, who holds 49 percent of the stake.

At the moment, Damien Hirst’s solo exhibition is underway at Opera Gallery Seoul. About 30 pieces, including a lithograph of a diamond-studded skull with real human teeth “For the Love of God, Believe,” is on display through May 15.

“It is a pity that we could not bring some of the much-talked about Hirst pieces. Still, this is another opportunity to see works by a world-class artist at our home,” said Kwon.

As much as the gallery is famous for exhibitions of celebrated artists, however, it is infamous among the Korean public for neglecting Korean artists.

“We did avoid holding Korean artists’ exhibitions because we did not want to be seen as being in rivalry with some 200 galleries in Korea. Holding exhibitions of veteran Korean artists would immediately mean competition,” said Kwon.

“Instead, we are trying to hold exhibitions for the artists we discovered, not just in Seoul but also in other parts of the world through the gallery’s branches. Introducing the works of Korean artists to the world is in fact the most important goal of Opera Gallery Seoul.”

In that sense, the Seoul branch has been quite successful so far. Korean artist Yim Tae-kyu’s show opened at Opera Gallery London last week and Kwon Ki-soo and Lee Dong-uk will hold exhibitions at the Paris branch in July and December, respectively.

Kwon mentioned another “prejudice” about Opera Gallery Seoul; that the works are way too expensive compared to other galleries in Korea.

“We do have expensive works but we also have works that are marked below 1 million won ($895,000). Moreover, the works are available for collectors at the same price at all Opera Gallery branches,” Kwon explained.

The gallery is trying different approaches to lose its snobbish image. Lending its works to public spaces is one.

“It will be the third anniversary of Opera Gallery Seoul in October. It has not been discussed with the Seoul Metropolitan Government, but I have plans to exhibit some 50 sculptures by Dali at the Seoul Plaza in front of the City Hall,” he added.

For more information on the Damien Hirst exhibition or on Opera Gallery, visit www.operagallery.com

By Park Min-young  (claire@heraldm.com)

주얼리페어

Gems from around the world allure women

 

Not many women can resist sparkling jewelry. And it gets harder to resist when there is an exhibition hall full of them.

Hundreds and thousands of dazzling gems are stealing the hearts of many at the country’s biggest jewelry fair running at COEX in Samseong-dong, southern Seoul.

About 300 jewelry companies from around the world are showcasing their latest products at “Korea International Jewelry & Watch Fair 2010.”

Organized by Korea International Trade Association, the eighth jewelry fair is expecting some 30,000 visitors and buyers. Last year, about 25,000 people visited the fair to see the products by 282 participating companies.

Participating companies include Princess and Gembros from Korea, Manuelli Gioielli Firenze from Italy, Blumer from Germany and Teng Huat from Singapore.

This year’s show sees a significant trend toward bolder jewelry and designs with 3-D effects.

“Flower or butterfly designs used to be popular before, but this year we see more dynamic designs that feature seahorses, corals and even polar bears. Yellow gold seems to be back in town, as it perfectly matches animal print garments which many fashion designers showcased this season,” said the organizers.

“In the case of diamonds, the trend is to have it set on a black gold plated ring so that the diamonds will stand out even more due to the black and white contrast,” they added.

Visitors can also find the prizewinning works of this year’s International Jewelry Design Contest, the theme of which was "The Moments to Cherish," and 100 rough gemstones from Iksan Jewelry Museum at the fair.

“Korea International Jewelry & Watch Fair 2010” runs until tomorrow at the Atlantic Hall and Conventional Hall at COEX in Samseong-dong, southern Seoul. Admission is 10,000 won. No admittance to those under 15 years of age.

For more information, call (02) 6000-5549 or visit www.jewelfair.com

By Park Min-young   (claire@heraldm.com)

 

베르트랑 라비에 전시 @ 아틀리에 에르메스

Lavier layers up old masters at Atelier Hermes

 

A couch that resembles Marilyn Monroe’s plump red lips sits on top of a Bosch fridge. Nearby, an old gray fan is placed on top of a black safe deposit box.
These strange combinations of familiar objects, which one can view inside the Hermes building in Sinsa-dong, are actually artwork by Bertrand Lavier, one of France’s greatest contemporary artists.

“The idea came from my wondering about the question, ‘What is sculpture?’ It usually means a thing on a pedestal. I thought, ‘What most represents a pedestal?’ and came up with fridge, which is heavy, square and white. And I put on top of it something that represents a sculpture. So the work means two things; one, a sculpture on a pedestal and two, a sculpture itself,” the 60-year-old artist told the press on Wednesday.

His unique style of work was born 30 years ago when Lavier put a Brandt fridge on top of a Fichet Bauche safe. The much-talked-about work, titled “Brandt/Fichet Bauche,” knocked off the boundary between readymade art represented by Marcel Duchamp’s “Fountain” and traditional sculptures.

At the current exhibition “Phantoms,” Lavier’s first solo show in Korea, visitors can see Lavier’s creative combinations of art masters’ work as well as peculiar object combinations.

Lavier mixes and matches art and signatures by old masters like Pablo Picasso, Frank Stella and Salvador Dali with works by unknown artists and added his own unique touches to them.

Take the work “IKEA” for example. Lavier bought a tablecloth from IKEA, which seemed to have been inspired from Mondrian’s works, and painted his own interpretation of Mondrian’s painting on top of it. “The work is by three people; Mondrian, the IKEA designer and me,” said Lavier.

In the case of “Picasso Ultra Marine,” the three creators of the work would be Yves Klein, Picasso and Lavier.

Carmaker Citroen had bought the copyright for Picasso’s signature in the 1990s and launched the “Citroen Picasso” line. Lavier bought the car, ripped off the part that had Picasso’s signature and painted it blue, which was almost exactly like artist Yves Klein’s signature blue color known as IKB.

It is Lavier’s way of taking the role of a mediator to connect different artists.

“I like to create works that have multiple levels. On the first level, each work can be appreciated as itself even if you don’t know Picasso, Stella or Mondrian. But it is better if you do, because on the second step, you can see the phantom of the artists if you recognize them,” he said.

Did the original artists take offense? Frank Stella, among the few who is still alive, said he did not.

“I once met Frank Stella, and he said ‘I like it very much, it is perhaps better than the original!’ I would be very happy if some other artists used my work, too,” Lavier said, laughing.

The special thing about Lavier’s works is that it is impossible to make different editions. He can pick out one primitive African sculpture among millions, add his touches and turn it into a one-of-a-kind.

“I am a very occidental artist and sculptor like Rodin or Giacometti. Through me, the African sculpture by an unknown artist becomes an occidental sculpture produced by a ‘not unknown’ artist,” said Lavier.

And the good part is that his final touches are always optimistic.

“In Paris, many artists do depressed work these days. I don’t want to do heavy, depressed art. Mine are funny, a little bit, and some could start deep thoughts on the layers and the artists, but the works are light and rather optimistic. I think we can build something better for tomorrow. We can play with what we are today,” he said.

The exhibition runs through June 10 at Atelier Hermes in Sinsa-dong, southern Seoul. It is located on the third floor of Maison Hermes Dosan Park. For more information, call (02) 544-7722.  

By Park Min-young   (claire@heraldm.com)

로댕 회고전

Rodin’s masterpieces in Seoul

 

A major retrospective exhibition of Auguste Rodin, sculptor of “The Thinker,” kicks off today in Seoul.

Original masterpieces by the French master, such as “The Hand of God,” “The Kiss” and, of course, “The Thinker” will be shown outside France for the first time.

The exhibition displays 180 pieces including 113 sculptures in bronze, marble and plaster, 42 drawings and 25 photographs. They are on loan from The Musee Rodin in Paris, France.

“Rodin successfully converted lifeless materials into sculptures imbued with delicate human feelings such as passion, agony, love and hatred. With his dynamic sculptures, Rodin is still extolled as a pathfinder and precursor of modern sculpture,“ said Seo Sun-ju, director of the exhibition.

Divided into nine sections -- The Age of Bronze, The Gates of Hell, The Burghers of Calais, The Figures of Eros, Rodin in His Studio, Dance: Body in Movement, Camille Claudel, Rodin in 1900, Pavillion d’Alma and The Monuments -- the exhibition explores Rodin’s life, love and passion for art.

The exhibition runs through Aug. 22 at Seoul Museum of Art in Seosomun-dong, central Seoul. Tickets are 12,000 won for adults, 10,000 won for youths and 8,000 won for children. It is closed on Monday. For more information, visit www.rodinseoul.com.

By Park Min-young   (claire@heraldm.com)

 

서울포토페어2010

Korea’s biggest photo fair opening at COEX

 

Among the overflowing art fairs taking place this spring, a photos-only fair starts its five-day run tomorrow in Seoul.

Starting in 2008 and organized by PHOTONET, Korea’s photography magazine, “Seoul Photo 2010” is the first and biggest photography fair in Asia.

More than 1,200 photos by 220 international and local photographers will be showcased at the fair.

“Photographs are quickly rising in the world’s art market but the prices are undervalued by and large compared to other genres such as paintings and sculptures. That’s why it can be an attractive target for novice collectors or salaried people. Photos are a perfect fit for Korea’s modern apartments or buildings. This fair, which is packed with over 1,000 photos, will be a great opportunity to check them out,” said Choi Jae-gyun, editor-in-chief and publisher of PHOTONET.

“The Galleries” section displays works by photographers from 22 well known galleries throughout the world. Participating galleries include Arario Gallery, Kukje Gallery and Gallery Jinsun from Korea, Emon Photo Gallery from Japan and Galeria Saro Leon from Spain. Works by most of Korea’s acclaimed photographers such as Bae Bien-u and Kim Dae-su can be spotted in this section.

The “PHOTONET Review” section features works by 40 Korean photographers selected by the magazine while the “Raw Vision” section showcases photographs taken by some high-profile figures such as Hanjin Group chairman Cho Yang-ho and Gangwon Province governor Kim Jin-seon.

Many Japanese photographers are participating at the fair as well through the “Beyond the Award” section. The highlight is Morimura Yasumasa, a famed Japanese photographer whose works will be displayed at the “Invitation Artist” section. Morimura is considered the first photographer to have successfully reinterpreted post-modern photography in an Asian style.

Other must-see works are those by Spanish photographers. To celebrate the 60th anniversary of Korean-Spanish diplomatic relations, Spain is chosen as this year’s guest of honor nation.

Alejandro Castellote, a famed curator from Spain who founded and served as the artistic director of the authoritative International Photography Festival PhotoEspana in Madrid from 1998-2000, selected some 100 innovative pieces by 10 Spanish photographers, including Chema Madoz, David Jimenez and Juan Manuel Castro Prieto.

The fair runs from April 29-May 3 at the Indian Ocean hall in COEX, in Samseong-dong, southern Seoul. Admission is 8,000 won. For more information, call (02) 736-1214 or visit www.seoulphotofair.com

By Park Min-young   (claire@heraldm.com)

Arumjigi holds first fund-rising bazaar

The Cultural Keepers Foundation will open its first bazaar tomorrow to raise funds for research and development of Korean traditional culture.

The foundation, also known as Arumjigi, is a non-profit organization established in 2001 that carries out a variety of projects to help preserve the nation’s cultural heritage. It recently held exhibitions to promote traditional culture and helped clean and beautify traditional villages and cultural heritage sites.

The bazaar will be packed with beauty and lifestyle products donated by companies and individual supporters. Participating companies include international fashion houses such as Louis Vuitton, Gucci, Hermes, Max Mara, Marc Jacobs, Ferragamo, Tods and Prada, jewelry brands like De Beers, cosmetic brands like Guerlain, Lancome, Biotherm, porcelain brands like Hankook Chinaware and some liquor brands.

Mugs designed by artists such as Jeong Jae-hyo, Lee Eun-beom, Lee Chang-hwa, Han Jeong-yong and Heo Sang-wook will be on sale and seasonal regional food will be served at the bazaar as well.

The proceeds from the event will be used for the “Yi Sang Project” which aims to transform Korean poet Yi Sang’s house into a cultural space and also for creating a “Korean Cultural Room” at Pittsburg State University in the United States.

The bazaar will run from 11 a.m. to 4 p.m. at JNB Gallery in Horim Museum in Sinsa-dong, Seoul. Admission is 10,000 won. For details, call (02) 741-8375 or visit www.arumjigi.org

By Park Min-young  (claire@heraldm.com)