레이블이 한미사진박물관인 게시물을 표시합니다. 모든 게시물 표시
레이블이 한미사진박물관인 게시물을 표시합니다. 모든 게시물 표시

2010년 8월 6일 금요일

갤러리토크_한미사진박물관 송영숙관장

[Gallery Talk] Analog photography making a comeback

 

This is the eighth in a 10-part series on prominent art galleries in Korea. – Ed


The Museum of Photography, Seoul, situated on the 19th and 20th floors of Hanmi Tower in Bangi-dong, eastern Seoul, is Korea’s first government-authorized private museum for photography.

Song Young-sook, the founder and chief director of the museum, established it in 2002 after many twists and turns.

“Government officials did not approve it at first, saying that they do not recognize the value of photos as art. They even mocked it saying, ‘Why don’t you just collect cameras?’” said Song.

“So I opened a non-profit gallery instead and held exhibitions and supported photographers without selling or buying any works. When I went back to register as a museum after few years, many intellects and artists supported me. I finally got an approval.”

But because Song is the wife of Lim Sung-ki, president of Hanmi Pharmaceutical Co., some could harbor a prejudice that the museum is just a hobby for yet another rich and famous lady. But knowing Song’s past, that is certainly not the case.

After falling in love with photography as a teenager, Song spent nearly 40 years of her life as a photographer. She was a member of the photography club in Sookmyung Women’s University which turned out many of Korea’s famous female photographers. Although Song is now fully focusing on her role as a director rather than going on photo shoots, she said that someday she will return to being a photographer.
Song Young-sook, founder and chief director of the Museum of Photography, Seoul Park Hae-mook/ The Korea Herald

“Photographers need to take care of everything within one 115th of a second. In many cases, a single photo tells more about history than writing on tens of pages of paper. And also in many cases, photography is art while it is also a record of history. That is why I think artists should come down and be with the people, especially with the poor,” said Song.

But for now, she has so many agendas for the museum such as collecting works, categorizing them and publishing a book on the history of Korean photography.

“We have thousands of valuable photos from Korea’s modern times to the present. The original photos of Joseon’s last royal household from 1897 to 1910 at the exhibition ‘Portraits of the Great Korean Imperial Family’ last year were straight from our collections, too. Our researchers are continuously conducting studies to write history on Korean photography,” said Song.

Led by the museum, more photography museums have emerged in the past few years. Photography has taken root as a proper genre of art and the public‘s interest in photography is greatly growing as digital cameras become widespread.

“It is a good thing, in a way, but also a scary phenomenon. It has become hard to sort out authentic photos from fake ones and many professional photographers are losing their status. If they want to survive, they should really work hard and not turn to digital cameras just because they are simple and easy. Analog photos like gelatin silver prints are coming back,” said Song.

“Analog photos are of a totally different level from digital photos. They never fade away. I am always on the lookout for good analog photos. I don’t care if the artist is not yet famous. It’s like a treasure hunt. I recently found some beautiful analog works by a Japanese photographer at the Tokyo Art Fair. So I asked around and finally got in touch with her. Discussions are underway to open an exhibition on her works next year.”

Another recent trend is that artists of other genres are crossing the border to photography, Song noted.

“Many sculptors, especially, have become photographers, including Jeong Yeon-doo, Go Myung-keun and Jang Seung-hyo. Their works are unique, different from people who start out as photographers. They seem to be able to see objects from more varied angles,” she said.

Song established the Hanmi Photography Award in 2006 to discover and award talented photographers but the award stopped last year, because there was no one that was worth being awarded, said Song.

“The prize will be resumed when a talented photographer appears. For now, however, we are using the fund for research. I hope to open a separate museum for modern photographs in the near future.”

For more information on The Museum of Photography, Seoul, call (02) 418-1315 or visit www.photomuseum.or.kr.

By Park Min-young   (claire@heraldm.com)

2010년 4월 26일 월요일

천경우 작가, "여왕되기" 프로젝트

A photographer’s quest to find your ‘inner queen’

 

“Being a Queen #2” by Chun Kyung-woo Kyungwoo Chun

After seeing photographer Chun Kyung-woo’s advertisement in a local newspaper, women -- and one man -- were eager to volunteer for his project, claiming they resembled Queen Margrethe Ⅱ.

They applied to be part of Chun’s project “Being a Queen,” which was conducted for three months in Copenhagen and Aarhus, Denmark, in 2007. The project was supported by the Danish government as a part of the Danish International Visiting Artists Exchange Program.

“The queen has a very special meaning in Denmark. Her influence over the Danish people is dominant. While the British seems to consider their royal family distant from reality, like a fairytale perhaps, the Danish seem to consider their royalties like family,” Chun told the press last week.

Chun is a Korean photographer who currently works in Europe. He is known for his long-exposure photographic portraits that try to view the inner side of subjects.

All 35 applicants had different reasons why they thought they resembled the Danish queen. Some said their appearances were alike, some said their talent in art is similar and some even said that they married an immigrant, just like her. The sole man who participated in the project said that his feminine side is like that of the queen’s.

Chun conducted interviews, selected 19 and dressed them in a blue gala dress the queen would wear. The models then had to sit in front of Chun’s camera for a duration of time which represented their age -- one minute per year. Due to the long exposure, the photos turned out to be foggy, Chun’s signature style.

“Some ask why the photos are out of focus, but actually the focus was always sharp. If I were shooting a still object, it would have come out clear no matter how long the exposure time was. But my subjects were people who cannot help but constantly move,” Chun said.

The models tried their best to look like the queen, but during the long exposure they fidgeted and ended up revealing who they actually are inside, said Chun.

“I wanted to capture each participant’s own perception of the queen and eventually of themselves and their ‘inner queen.’”

Chun already exhibited the photos and some short videos he filmed during the photo shoots at the exhibition “Being a Queen” at Denmark’s Aarhus Art Center last year. The exhibition was co-organized by Galleri Image, Scandinavia’s oldest photo museum, and the Museum of Photography, Seoul.

The same exhibition arrived in Korea and is currently underway at the Museum of Photography, Seoul in Bangi-dong, eastern Seoul. The exhibition runs through June 5. Tickets are 4,000 won for adults and 3,000 won for students.

For more information, call (02) 418-1316 or visit www.photomuseum.or.kr

By Park Min-young   (claire@heraldm.com)

 

2009년 8월 31일 월요일

한미사진박물관 "요술,이미지" 전시 리뷰

Photos peek into other genres

 

The only thing the pieces at the exhibition "Magic of Photography" at the Museum of Photography in southeastern Seoul have in common is that they are based in photographs.

Only about half are hanging on the walls, normally in frames. The rest of the photos are printed on or made into unexpected forms, such as different-sized boxes, long paper rolls clustered together or stretched out vertically.

"The point is to confuse the visitors about photography by showing them these new attempts. Various types of photos are on display. We organized the show room so that visitors will have to see the works in an order that will confuse them the most," said curator Lee Gye-young.

Fourteen Korean artists including Jung Yeon-doo are showcasing more than 50 photographs, stereo photos, installations and videos.

The works are fairly original.

Take Lim Taek's photos for example. They feature a fantasy-like paradise with white clouds and mountains, which is so unreal that it looks like a painting. But peering into them carefully, one can see that all appearing elements are pictures taken from life.

The secret is digital composition. He photographed the white set he built with styrofoam and cotton and added photos of moons, suns, trees and animals on top of them. The actual set he used for shooting is displayed at the exhibition.

Bae Joon-sung preferred a more analogue way to charm his photos, by using lenticular or vinyl and oil paint.

A woman stands in what looks like a European ballroom. As the photo is covered in lenticular, she is fully dressed in a party dress when seen from one side, but as the viewer moves to the other side, she slowly turns naked.

Another of Bae's work shows a woman holding a baby up in the air, also in an occidental setting. Curiously enough, the work is covered with see-through vinyl. Lifting it up, viewers will find only a naked woman waving her hands into the air. Bae, who is also a painter, had oil painted the woman's dress and the baby on the vinyl.

Jang Seung-hyo took a step further and used his photos only as materials for his paper sculpture.

He cut the pictures he took in various spots, keeping in mind what colors he would need later on, and connected them together to make robots, birds, or life size motorcyclists. The pieces are so delicately glued together that they remind of quilts.

The exhibition runs through Oct. 1 at the Museum of Photography in Bangi-dong, southeastern Seoul. Tickets are 3,000 won for students and 5,000 won for adults. For more information, visit www.photomuseum.or.kr or call (02) 418-1315.

(claire@heraldm.com)

By Park Min-young

 

2009년 3월 20일 금요일

[조선의 마지막 황실] Photos of Joseon's last imperial house unveiled

2009.3.20


If you found the unveiling of the Joseon King's royal seal on Tuesday interesting, here is an exhibition to excite you -- an exhibition about the owner of the seal and the royal family of that time.

The Museum of Photography in Bangi-dong, southern Seoul is displaying the original photos of Joseon's last imperial house from 1897 to 1910 at its current exhibition, "Portraits of the Great Korean Imperial Family." Some photos are revealed for the first time.

In one of the photos, viewers can see King Sunjong, the last emperor of Joseon, busy plowing a field with his people on April 5th, 1909. It was a cultivation ceremony to sympathize with the people and encourage farming.

Along with this memorable photo, various photos of King Gojong, the 26th King of Joseon, Crown Prince Youngchin and Prince Lee Woo can be found at the exhibition.

Another notable photograph is one featuring a woman who is said to be the last empress. This photo has been copied and fabricated so many times that the display of the original is extra meaningful.

Weirdly enough, however, all faces in the photos look grim. Perhaps an emerging theory could explain why.

According to some historians and photography researchers, The Japanese government at that time tried to damage the power of King Gojong and Joseon's imperial family by distorting the photos.

Take the photo taken by Murakami Tenshin when Japan's Crown Prince Yoshihito visited Joseon in 1907, for example. It is common sense for the figures to stand symmetrically in an official group photo, but here, the figures including Joseon's Crown Prince Youngchin are packed in the right side. It was to place Yoshihito in the center, and slightly more out in the front.

"It seems like the figures in the photo were purposely arranged like this so Yoshihito would look relatively taller, and so that Japan's intended hierarchy between the Japanese and Korean officials would stand out," said Lee Kyeong-min, a researcher at the Photo Archives Research Center, in a report regarding this exhibition.

Look at another photo of prince Youngchin and the cabinet led by Lee Wan-yong -- a pro-Japanese collaborator -- taken by the same photographer in the same year. Viewers can easily spot an awkward right arm of someone in a white hanbok, or Korean traditional costume, sticking out at the right corner of the photo.

Surprisingly, it is King Gojong's. In the original version of the photo, the king stands at the right corner with a blank look, far away from the rest of the figures. But in the photos which Japan distributed, the king is either cut out or erased.

"In the Joseon society, it was a taboo when anyone's body parts were cut off in a picture, let alone the deified king's. It must have been a very disrespectful thing to distribute a photo with more than half the body of the king cut off," said Lee.

This photo exhibition runs through June 6 at The Museum of Photography in Bangi-dong, southern Seoul. Tickets are 5,000 won. For more information, call (02) 418-1316 or visit www.photomuseum.or.kr

By Park Min-young

(claire@heraldm.com)

2008년 12월 22일 월요일

[이방인의 렌즈를 통해 본 삶] Life through a foreign lens

2008.12.22


 

We often encounter two paradoxes with documentary photos. One is that despite them being more frank and straightforward, they end up more touching than artistic images.

The other is that foreigners sometimes turn out to capture the most vivid and insightful moments - perhaps natives of a country are too deeply entrenched to see things clearly.

Two Seoul galleries are exhibiting documentary photos of Korea and Uganda, taken by outsiders.

One of them is a documentation of the past of Korea, recorded by Japanese photographer Kuwabara Sisei.

He became famous with his piece on a Minamata patient that helped inform the world of the seriousness of the illness.

Curious of the changes that occurred in Korea after the Korean War and the separation of the peninsula, Shisei first set foot in Korea in 1964. Since then, he has been addicted.

For half of his life, Shisei has photographed the country. His recent work includes documents on Korea's presidential election last year, later published as a photo essay.

Shisei was once deported because of his fearless exploration of the darker corners of the society, which the government was trying to conceal.

Thanks to his boldness, we can see what shantytowns and villages near military camps looked like in the 1960s and 1970s.

For the exhibition running at the Museum of Photography in Bangui-dong, southern Seoul, Shisei displays 66 of his photos. Most of them are being shown for the first time.

"He did what Koreans needed to do, but couldn't do. He recorded our history for us. That's why I am thankful to him," wrote Han Jeong-sik, photography professor at JoongAng University in his essay on Shisei.

Some of Shisei's photos of North Korea are also on display. It is weird to see how North Korea's present is so similar to South Korea's past more than two decades ago.

If Korea was not strong enough to record its own history at the time, it now seems like Koreans are paying back what they received, by photographing the history of other less developed countries.

Kim Kyung-sang, a Korean photographer, has captured the present of Uganda, which is in a civil war. His pictures focus on places that can be easily neglected and unloved.

Gallery M in Jeong-dong is showcasing 24 of Kim's photos through the exhibition "Lord's Resistance Army."

The children in his pictures appear heartrendingly innocent. An African kid grins under a single candle, with a book under his nose. The book is ragged and the candle is crooked, but his bright smile still seems genuine.

In another, a five-year-old puts his hand on his mother's knees, and stares at her with mournful eyes. His mother, who is sitting in front of a sewing machine in what looks like a factory full of workers, gives him a weak smile.

"Kim's photos are not just records. He spotlights the fundamental problems of humans through the inhumanity and brutality of the internal war," said curator Lee Ki-myeong.

Kuwabara Shisei's exhibition runs until Feb. 21. For more information, call (02) 418-1316 or visit www.photomuseum.or.kr

"Lord's Resistance Army" runs through Dec. 30. For more information, call (02) 2277-2438 or visit www.eurocreon.com/magnumphotos

By Park Min-young

(claire@heraldm.com)